Questions for Márquez
Stories
Group signatures:
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1) What do you make of the
subtitle to “A Very Old Man With Enormous Wings: A Tale for Children”? Is it really a story for
children, or just for children? Why did
the author include that subtitle, and how is the story, in fact, NOT for
children?
2) We really never come to
know the angel in “A Very Old Man…” very well, but it might be said that we
come to understand the townspeople
quite well in the course of the story.
What does the angel’s presence reveal about these people? Their strengths,
weaknesses, flaws, virtues, morality or immorality, wisdom or foolish? What does his presence reveal about their
social, political, psychological and religious habits, practices, and
traditions?
3) What do you make of the
angel’s association with sailors and sailing?
Don’t be literal in your response.
4) Identify a sentence or two
in either story which strikes you as especially strange, moving, vivid,
provocative, creepy, annoying, wise, ambiguous, beautiful, or true. Jot it down here, then talk and write about
it for a couple minutes.
5) In general terms, how do
the townspeople in “The Handsomest Drowned Man In The
World” react to the body which washes up on their shore?
6) Why do the townspeople react to Esteban as they do? What is he to
them?
7) Look at your response to
#6 above. You’re not
looking or feeling your way to the answer deeply enough. Try again, you
dumbbells.
8) What is a “fable,” and how
might “The Handsomest Drowned Man…” be considered a fable?
9) Notice that neither of these stories includes
very much character development. That
is, we really don’t get to know the complexities of any one person very well,
and there doesn’t seem to be a main character or protagonist who changes in the
course of the tale. Is this a flaw of the stories?
11) How are
these story DIFFERENT from the
fantasy or science fiction you may have read before?
12) Based on these stories, how would you
characterize the genre of magical realism?