New Media Literature

Ever since early humans scratched the first signs onto cave walls, we've had something like concrete poetry. Pictographs, petroglyphs, hieroglyphs, ideograms, logographic writing of various kinds—all are relatives of the concrete poem.

In the 4th and 3rd centuries BC, we get Greek manuscripts with "memorial texts in the shape of urns or other more fanciful visual forms" (Drucker 110).

Hrabanus Marus "De adoratione crucis ab opifice / De Laudibus Sanctae Crucis" Augsburg, 1605

The 20th century saw great interest in concrete poetry, and by "the end of that century there is a fully developed, very complex, continually interrogated, and hightly varied range of work being produced in which visual and verbal distinctions are difficult to sustain" (111).

Richard Kostelanetz, from WordWorks

Augusto de Campos, "Poetanemos" (1953)

Décio Pignatari, "beba coca cola"

José Cáceres, "feo"

Lee Krasner

François Poyet, "Untitled"

Alain Satie

Work by Susan Howe, who is considered a "language" poet. You can see how the language school obviously shares some affinities with concretists.

New Media: Concrete/Visual Writing for the 21st Century

Return to Power Point New Media Literature before continuing presentatioon

Most recommended:

http://www.eastgate.com/ReadingRoom.html (check out especially a piece called "HELP." Also Michael Joyce's ""Twelve Blue." )

http://www.ubu.com/contemp/ (excellent site FULL of stuff; probably the best on the Web; check out Brian Kim Stefans' "The Dreamlife of Letters" in the Contemporary list—I'm very fond of that one. This site also has a huge amount of info on history and theory of visual work.)

From RMIT University in Australia:

http://www.streaming.rmit.edu.au/ (check out several of these, especially Simon Norton and Jacinta Schreuder)

http://www.crankweb.rmit.edu.au/

http://www.baaim.rmit.edu.au/2005/index.html

Bill Marsh's Landscapes at Beehive. Click directly on the box. (Explore other work at the Beehive site as well.)

Other Items of Interest

Word Circuits (a multi-featured site, including bulletin board, gallery of poetry and fiction, commentary, studio and resources. Robert Kendall is site director and gallery editor; Deena Larson edits the Hypertext Writers Workshop. "This is a watering hole for new media poetry and fiction--indigenously electronic work that couldn't be realized in print. Hypertext is the mainstay here, but we also deal in more exotic forms of cybertext, which exploit such innovations as text-generating algorithms or animated text that moves and mutates on the screen. Welcome to the world of hypertextual, interactive, self-generating, kinetic, and multimedia poetry and fiction.")

http://www.eastgate.com/malloy/welcome.html

http://www.eastgate.com/LastingImage/Welcome.html

Charles Bernstein's Work (scroll down and find link to his "Visual Work.")

An Index to Concrete Poetry

Burning Press

A piece by Robert Kendall

http://www.eastgate.com/TwelveBlue/Welcome.html

Instructor play:

An electronic "scroll"

My creative blog

My academic new media essay

Other stuff:

I like to play around with "poetry on bodies." This is a James Wright poem on a body.

Same poem.

This time the embedded text is a philosophical treatise.

I also like to play with poems. This is Wordsworth's "The World Is Too Much With Us"